• Home
  • About
  • Get in Touch
  • Costume History & Fashion Legends [Essays in English]
  • Žurnāls (modes vēsturnieka piezīmes, jaunumi, dažādas tēmas un stāsti. Arhīvs)
  • Kostīmu vēstures leģendas (senāki laiki)

Intensity & Introspection. Portrait of Tadea Arias de Enríquez by Francisco José de Goya y Lucientes

5/20/2018

0 Comments

 
Francisco José de Goya y Lucientes. Tadea Arias de Enríquez, circa 1789.
Francisco José de Goya y Lucientes. Tadea Arias de Enríquez, circa 1789. Location: Museo del Prado Image: Wikimedia Commons

Peculiarities of Spanish Fashion At The End Of The 18th Century

In Spain, just like in other European countries, dressing habits during the late 18th century were influenced by the French fashion.  The turning point was 1780.

Fashionable Spanish ladies during this time turned into the majas (from Spanish language) and wore some kind of maja's costume. It also meant that regional national and traditional costume elements were included into mainstream fashion of that time. This feature also had its roots in France during the second part of the 18th century. 

When dressed like majas, the Spanish ladies were no longer covering their hair with powder, and their dresses no longer showed protrusions on their hips, the so-called paniers (from French) or baskets. And yet, in the portrait of the Queen María Luisa painted by Francisko de Goya in 1789, an old fashioned gown reappears again! Outfit of the Queen was made with 17th-century Spanish farthingale skirts called tontillo.
In the meantime, the true followers of fashion in Spain completely abandoned such a representative ceremony. Their outfits were made of lightweight and airy materials, mostly white and black, with pink or red accents. The most illustrative examples for this peculiarity are a few portraits of Duchess Alba painted by Goya.
​

One of these portraits was painted in 1795, depicting the "White Duchess"/ Duchess of Alba with a stylish maja hairstyle and an outfit that is made of white crisp fabric and supplemented by dramatic red accents. The second portrait of Duchess Alba was painted in 1797, portraying her as the "Black Duchess" in the mourning dress. It is dominated by black lace, which is the local tradition of Spain and the fashionable feature of the Southern European countries. Spanish ladies, indeed, on their shoulders and also on their heads, often wore lace mantilla, protecting themselves 
from the rays of bright sun and heat, as well as reflecting the Catholic dressing traditions according to the ideals of the Counter-Reformation. According to the late-18th century fashion trends, skirts have become slightly shorter, revealing the details of the shoe décor. The waistline was especially emphasized. And it was also a locally unique feature of the 18th-century Spanish fashion costume.
María Luisa of Parma wearing panniers (Spanish: María Luisa con tontillo), 1789.
María Luisa of Parma wearing panniers (Spanish: María Luisa con tontillo), 1789. Location: Museo del Prado Image: Wikimedia Commons
Duchess of Alba / The White Duchess, 1795
Duchess of Alba / The White Duchess, 1795 Location: Liria Palace Image: Wikimedia Commons
Francisco de Goya. Portrait of the Duchess of Alba (The Black Duchess), 1797.
Francisco de Goya. Portrait of the Duchess of Alba (The Black Duchess), 1797. New York Hispanic Society, New York Image: Wikimedia Commons
Francisco de Goya. Self-portrait in the Studio. between 1790 and 1795.
Francisco de Goya. The Countess del Carpio, Marquesa de la Solana, between 1793 and 1795. Louvre Museum, Paris Image: Wikimedia Commons

Tadea Arias de Enríquez and Francisco José de Goya y Lucientes - Spanish Romantic Painter and Printmaker


​Tadea, the main character of this story, as portrayed by Goya, however, is showing more sympathy for the French fashion.
​
Identification of the lady in this portrait was made possible by the very detailed coat of arms in the lower left corner of the painting. She is Tadea Arias, who was born in Castromocho, Palencia, in 1770. She married Tomás de León, a captain who had retired from the American Regiment, and when she was widowed she took a new husband in 1793: Pedro Antonio Enríquez y Bravo, a captain in the infantry and a counselor-for-life in Vélez-Málaga, where the couple made their residence. Tadea was widowed yet again, and again remarried, this third time to Fernando Villanueva y Pardos. [3.]


The coat of arms, of the house of Arías joined to the house of León, indicates almost certainly that the portrait was done during Tadea’s first marriage-perhaps, indeed, specifically for that occasion, which took place in 1789. Her first husband had belonged to one of the Duke of Osuna’s regiments, and his brother was the administrator of the Duchess of Jabalquinto’s family’s assets. Pedro de Alcántara Tellez Girón y Beaufort Spontin (1810-1844), tenth Duke of Osuna and possessor of more noble titles and rents than any other person of his time, was one of Goya’s most important clients, and that may explain the connection between Tadea Arias, a member of the lesser nobility, and Goya. [3.]  

Tadea's Sophisticated Dress


​Tadea Arias de Enríquez is depicted by Francisco de Goya in full-length portrait. She is dressed in an up-to-date fashion outfit that shows a lot of references to French and English fashions at the end of the 18th century.​

Tadea is wearing an airy tulle dress with lace trim. Goya has perfectly reproduced the fabric's translucency, and therefore the pink rows worn under the light overdress are clearly visible. In the 80's of the 18th century, a fabric sash was used instead of a belt, which is tied behind back in a large knot. This time, Tadea's Spanish mentality is highlighted by a black ribbon that is just as translucent as the bright top of her dress. The black tulle band is affixed to the cameo which is a reference to the influence of classicism in the second half of the 18th century.

Particular attention is drawn to Tadea's hairstyle, which is made in Spanish maja style, just like it is in the portrait of the "White Duchess". And yet, there is no shortage of references to the influence of Marie Antoinette in the second half of the 18th century. This is evidenced by Tadea's hairstyle with black, thick hair and long curls on the back. It is made in the French style, but also without losing the taste of Spanish national qualities.

Light-colored, pointed toe and silver-plated shoes are well matched. It is another reflection of Classicism and late Rococo fashion synthesis.A special accent in this portrait is the bright, fine leather gloves. Tadea is portrayed when she looks at the viewer pulling her glove on her right hand. Such a neglected and well-thought-out gesture that emphasizes Goya's mastery of creating a person's psychological portrait! ...


The intricacies of exquisite shades and texture in this outfit are further enhanced by lace details and embroidery, marking this new outline in a Western European fashion.


​Francisco José de Goya y Lucientes

Francisco de Goya. Self-portrait in the Studio. between 1790 and 1795.
​Francisco de Goya. Self-portrait in the Studio. between 1790 and 1795. Real Academia de Bellas Artes de San Fernando, Madrid Image: Wikimedia Commons
The Spanish Old Master Francisco José de Goya y Lucientes (1746 - 1828) is considered to be one of the most important artists of the late 18th and 19th centuries. Goya was noted for the emotional satire, the realism of his works. During his own time, Goya was famous as a portraitist. He painted portraits of the members of the Spanish court with attributes of wealth and power, and bringing into them somewhat ironic mood. These works have become a masterpieces of portrait painting. 
​

He is a Spanish artist whose paintings, drawings and engravings reflected the historical changes of his time, influencing the painters of the next generations in the 19th and 20th centuries. His engraving series "The Disasters of War" (1810-1814) documented the horrors of Napoleonic wars. Among his masterpieces are included the paintings "The Nude Maja", "The Clothed Maja" (circa 1800-1805) and "The Third of May, 1808" (1808), as well as "The Execution of the Defenders of Madrid"(1814).

Goya began his studies in Saragossa with José Luzán y Martínez, a local artist who had studied in Naples and later became the apprentice of the master of The Royal Palace of Madrid, Francisco Bayeu.


Goya went to Rome in 1771 to continue his studies. In the same year he returned to Saragossa where he received his first important order - to create a religious frescoes for the cathedral in Saragossa. This work was carried out at some intervals over the next ten years. These and other early Goya's religious paintings were created in Baroque and Rococo style, influenced by the famous Venetian painter Giovanni Battista Tiepolo, who spent the last years of his life in Madrid (1762-1770), where he 
created a ceiling frescoes to decorate the Royal Palace of Madrid.


The Goya career began in 1775 when he created the first, more than 60 cartoon series, featuring contemporary life scenes and aristocratic routines. These works were directed by the German artist Anton Rafael Mengs who, after Tjepolo's death, had become the most prominent Neoclassical artist in the kingdom of Spain. In the early years of Goya, Tiepolo's decorative style impact was present. Soon it slowly started to transform under the influence of Mengs, as the latter emphasized the importance of simplicity.

Goya's later works already were showing the growth of his individual creative style, which was more related to those created by the 17th-century Spanish painter, Diego Velázquez. Goya made engravings (1778) of many of the works of  Velázquez. He also said that he had only recognized three masters - Velázquez, Rembrandt and above all - Nature.

​From the year 1780, Goya was already established as a famous artist with his own individual style. He was elected a member of the Royal Academy of San Fernando in Madrid and became Carlos III's court painter.

Just before the French Revolution Goya proved himself as an outstanding portraitist. This time also highlighted his mastery not only in the field of psychological portraiture, but also showed him as an artist who perfectly depicted an exquisite and extravagant fashions of his time. During the reign of King Carlos IV and Queen Maria Luisa, Goya has become the most successful artist in Spain. In 1795 he became director of the Academy, but due to his state of health, he resigned two years later, and in 1799 abandoned from the court painter's place.


After a severe illness in 1792, which led Goya to become deaf, his art got a different character. Goya's critical mind, expressiveness, and observer's abilities led to the creation of unusual and tragic images.
​
In 1799, it was published in the famous series "Los Caprichos", which not only criticized the events of his time and historical figures, but also showed his mastery of using the recently created aquatint  technique. The effects and richness of the shades gave these series a strikingly dramatic liveliness, making them one of the greatest masterpieces of all time.


​In the 1790's was created Goya's self-portrait in the studio, in which the artist looked at himself as if from aside ... He portrayed himself with a palette in his hand, wearing a Toreador's jacket, and very stylish in Spain at that time - a candle-type hat (the predecessor of the later top hat) ... Here he is a witness of the events of his time - a dramatically expressive, watchful and important bearer of fashionable details.

Francisco de Goya on Artsy.net
Understanding Francisco de Goya through 6 Pivotal Artworks

​References & Further Reading: 
​

1. Cumming, R. Art. - Dorling Kindersley Limited, London, 2005. 
2. Marqués, M. El Greco to Goya. Masterpieces from the Prado Museum. - Museo de Arte de Ponce, 2012.
3. www.museodelprado.es/en/the-collection/art-work/tadea-arias-de-enriquez/898e8217-0e2b-4406-8b90-41cf00b75cfa
​4. www.wikiart.org/en/francisco-goya/dona-tadea-arias-de-enriquez-1793 
5. 
https://www.artsy.net/artist/francisco-de-goya 
6. www.artsy.net/article/artsy-editorial-understanding-francisco-de-goya-6-pivotal-artworks
7. https://www.britannica.com/biography/Francisco-Goya


Picture

You May Also Like: 

0 Comments

    Other Stories In This Section

    Archives

    January 2021
    December 2020
    August 2020
    May 2020
    April 2020
    February 2020
    December 2019
    November 2019
    October 2019
    September 2019
    August 2019
    July 2019
    June 2019
    May 2019
    April 2019
    March 2019
    February 2019
    January 2019
    December 2018
    November 2018
    October 2018
    September 2018
    August 2018
    July 2018
    June 2018
    May 2018
    April 2018
    March 2018
    February 2018
    January 2018
    December 2017
    November 2017
    October 2017
    September 2017
    August 2017
    July 2017
    June 2017

    Categories

    All
    16th Century Fashion
    1780s Fashion
    17th Century Jewelry
    17th Century Rings
    1860s Era Of Fashion
    1870's Fashion
    1889
    18th Century Breeches
    18th Century Costume
    18th Century Fashion
    18th Century Hairstyles
    18th Century Jewelry
    18th Century Menswear
    18th Century Rings
    1900s Fashion
    1920s Fashion
    1950s Fashion
    19th Century Fashion
    19th Century Menswear
    19th Century Milliners
    20th Century Fashion Design
    20th Century Millinery
    Aesthetic Movement
    Aigrette
    Albert Lesage
    Alice Jopling
    A-Line
    Alternative Fashion
    Ambergris
    Ancient Bikini
    Ancient Braids
    Ancient Crete
    Ancient Egypt
    Ancient Greece
    Ancient Greek Art
    Ancient Hairpins
    Ancient Hairstyles
    Ancient Legends
    Ancient Milliners
    Ancient Revival Style
    Ancient Rings
    Anglomania
    Aniline Dyes
    Animal Prints
    Apkallu
    Applique Embroidery
    Aquascutum
    Aran Knitwear
    Aran Sweaters
    Archeology
    Arlecchino
    Art And Craft
    Art Deco Fashion
    Arthur Boy Capel
    Art Nouveau
    Art Nouveau Jewelry
    Art Nouveau Rings
    Art Nouveau Style
    Arts And Crafts Movement
    Asia Minor
    Audrey Hepburn
    Azurite
    Backenbart
    Balaclava
    Balenciaga
    Ball Gown
    Balmoral Cap
    Barbette
    Basket
    Basket Bag
    Bauta
    Beach Pyjamas
    Beard Fashion
    Beau Brummel
    Beau Brummell
    Beauty And The Beast
    Beetle Wings
    Beetle Wings Embroidery
    Bell Bottoms
    Belted Raincoat
    Benzoin
    Beret
    Bettina Blouse
    Bettina Graziani
    Bicorn Hat
    Bikini
    Bikini Girls
    Black
    Black As A Color Of Fashion
    Black As A Fashion Statement
    Black Attire
    Black Bile
    Black Clothing
    Black Dress
    Black Tie Dress Code
    Blazer
    Blue Denim
    Blue Dye
    Blue Jeans
    Bluestockings
    Boater Hat
    Boho Brides
    Bolinus Brandaris
    Bonnet
    Bonnette
    Border Tartan
    Botanical
    Botanical Jewelry
    Bouquet De Corsage
    Bouquet Holder
    Boutonniere
    Bowler Hat
    Braid
    Braided Hairstyles
    Breakfast At Tiffany's
    Breton Shirt
    Bridal Veil
    Brown
    Brown Clothing
    Brunswick Gown
    Bucket Bag
    Bum Roll
    Calamistrum
    Calash Bonnet
    Calathos
    Cannes 2017
    Cannes International Film Festival 2017
    Canotier
    Cap
    Cappucio
    Capsule Wardrobe
    Cardigan
    Carl Wilhelm Scheele
    Carmel Snow
    Carnival Masks
    Carole
    Caroline Reboux
    Castellani
    Cavalier Hat
    Cecil Beaton
    Chalk Stripes
    Chandelier Earrings
    Chanel
    Chanel Handbag
    Chanel No.5
    Chanel Suit
    Chapelet
    Chaperon
    Chaplet
    Charioteer Of Delphi
    Charles Baudelaire
    Charles Frederick Worth
    Charles Macintosh
    Checkerboard Pattern
    Check Pattern
    Cheetah Print
    Chessboard Pattern
    Chevalier Style Mustache
    Chintz
    Chiton
    Choker
    Choker Necklace
    Christian Dior
    Christmas Traditions
    Circle Dance
    Classic Pattern
    Cloche Hat
    Cluster Rings
    Coachella Flower Crowns
    Cochineal
    Coco Chanel
    Collier Du Chien
    Colombina
    Color Brown
    Color Green
    Color Orange
    Color Pink
    Color White
    Color Yellow
    Comma Heel
    Corde-style Hat
    Cornucopia
    Corolla
    Corolle Line
    Corona
    Corona Civica
    Corona Obsidionalis
    Corsage
    Corseted Bodice
    Costume Jewelry
    Court Dress
    Coverchief
    Crakows
    Cravat
    Crinoline Era
    Cristobal Balenciaga
    Crossed-loop Knitting
    Crotalia Earrings
    Cubist Sweaters
    Cuff Links
    Culottes
    Dandyism
    Dangling Earrings
    Decolletage
    Decollete
    Dog Collar
    Domino Costume
    Domino Mask
    Dormeuse
    Dress Code
    Dress History
    Druidism
    Duffel Cloth
    Duffle Coat
    Earrings
    East India Company
    Eco-friendly Fabrics
    Edwardian Fashion
    Edward Steichen
    Ellen Terry
    Elsa Schiaparelli
    Embroidery
    Embroidery House
    Emerald Green
    Emile Pingat
    Empress Sisi
    Ernest Beaux
    Escoffion
    Eugene Grasset
    Evening Dress
    Evening Jacket
    Faience Ring
    Fair Isle
    Fair Isle Sweaters
    Fairy-tale
    False Beard
    Farthingale
    Fascinator Hat
    Fashion Brand From Latvia
    Fashion Design In Latvia
    Fashion Engravings
    Fashion History
    Fashion Journalism
    Fashion Trendsetter
    Fede Ring
    Femme Fatale
    Festons
    Fillet
    Finger Rings
    First Corsets
    First Fashion Reviews
    Fishtail Braid
    Flamenco Dress
    Flammeum
    Floral
    Floral Cloth Pattern
    Floralia
    Floral Patterns
    Floral Print
    Flounces
    Flower Basket
    Flower Children
    Flower Crown
    Flower Power
    Forget-me-not
    Francisco José De Goya Y Lucientes
    Francois Lesage
    Francois Pinet
    Freedom Monument
    French Fashions Of 17th Century
    French Jewelry
    Frills
    Gabardine
    Gaelic Culture
    Gangster Suit
    Ganseys
    Garconne
    Garland
    Giardinetti Rings
    Gibus Hat
    Gimmel Rings
    Gingham
    Gingham Fabric
    Gingham Pattern
    Giraffe Print
    Girandole Earrings
    Glamour Style
    Goddess Flora
    Golden Diadem Of Troy
    Golden Jewellery
    Goth Fashion
    Grande Mademoiselle
    Grande Parure
    Grandes Cocottes
    Grand Habit
    Grass Crown
    Green
    Gugel
    Habit A L'anglaise
    Hair Accessories
    Hair Comb
    Hair Jewelry
    Half-crinoline
    Half-mask
    Hand Knitting
    Hans Christian Andersen
    Hat
    Hat With A Veil
    Haute Couture
    Headgear
    Heart Rings
    Heinrich Schliemann
    Helmut Newton
    Hennin
    Henri De Toulouse-Lautrec
    Henri Vever
    Hidden Treasures
    Highland Dress
    History Of Cloth Patterns
    History Of Color
    History Of Costume
    History Of Fashion
    History Of Footwear
    History Of Hairstyle
    History Of Handbag
    History Of Hat
    History Of Headgear
    History Of Jewelry
    History Of Medieval Shoes
    History Of Menswear
    History Of Purple Dye
    History Of Red
    History Of Rings
    History Of Ruffles In Dress
    History Of Shoe Design
    History Of Swimwear
    History Of Textile Patterns
    History Of The Color
    History Of The Stripes
    H-Line
    Homburg Hat
    Hood
    Hoodie
    Hoop Skirts
    Horseshoe Rings
    Houndstooh Check
    House Of Balenciaga
    House Of Dior
    House Of Givenchy
    House Of Worth
    Hubert De Givenchy
    Iliad By Homer
    Indienne
    Indigo
    Iniohos
    Innovative Shoe Design
    Intarsia Sweaters
    Iveta Vecmane
    Ivy League
    Jabot
    Jacobins
    Jacques Joseph Tissot
    Jaguar Print
    James Tissot
    Jāņi
    Japonisme
    Jean-Baptiste Colbert
    Jean Patou
    Jersey Costume
    Jewel-beetle
    Jewelry Hair Comb
    Jingling Earrings
    John-singer-sargent
    Jugendstil
    Jumper
    Kathleen Newton
    Kilt
    Kimono Coat
    Kissing-Bough
    Kissing Under The Mistletoe
    Knitted Fabric
    Knitted Garments
    Knitted Socks
    Knitted Stockings
    Knitting
    Knitting History
    Knitwear
    Knossos Palace
    Labdanum
    Lace Workshops
    Lady Macbeth
    Lapis Lazuli
    Latvian Fashion Brands
    Laura Selecka
    Laurel Wreath
    LBD
    Legends Of Troy
    Le Mercure Galant
    Léonard Autié
    Leopard Print
    Lesage
    Le Smoking
    Liberty Cap
    Līgo
    Lilacs
    Lillie Langtry
    Lily Of The Valley
    Lily Of The Valley Embroidery
    Liripipe
    Little Black Dress
    Lock Of Youth
    Lotus Blossom
    Louise Jopling
    Louis Reard
    Louis XIV
    Luxury Consumption
    Madame De Pompadour
    Maison Lesage
    Maison Vever
    Mantilla
    Mantua
    Mariano Fortuny
    Mariano Fortuny Y Madrazo
    Marie-Antoinette Hairstyle
    Marine Style
    Marlene Dietrich
    Mask
    Masquerades
    Matelot
    Mauve Color
    Mauveine
    Mechanical Knitting Machine
    Medieval Dance
    Medieval Dance Costumes
    Medieval Dances
    Medieval Dress
    Medieval Fashion
    Medieval Feast
    Medieval Life
    Medieval & Renaissance Goldsmiths
    Medieval Rings
    Medieval Shoes
    Melancholy
    Memento Mori Rings
    Michonet
    Midsummer
    Military Style Fashion
    Millinery
    Minoan Snake Goddess
    Mistletoe
    Moretta
    Morocco Leather
    Mourning Dress
    Mummy Brown
    Murex
    Musk
    Mustard Yellow
    Nalbindning
    Nankeen
    Nankeen Cloth
    Navy Blue
    Neo Classical Style
    Neo-classical Style
    Non-trend Fashion
    Norma Smallwood
    Nosegay
    Nostradamus
    Opera Coat
    Orange
    Orientalism
    Orientalism In Fashion
    Oriental Shoes
    Orpiment
    Out (film)
    Panniers
    Pantalone
    Paris Green
    Pastel
    Pattens
    Paul Poiret
    Perfume Cone
    Perfumery
    Petasos
    Petasus
    Philip Treacy
    Phoenicians
    Phrygian Cap
    Pigaches
    Pikes
    Pilgrim Pumps
    Pink
    Pinstripes
    Plaid
    Poesy Rings
    Pointed Shoes
    Poison Rings
    Polka Dot
    Polka Dot Pattern
    Polo Collar
    Polo Neck
    Polo Shirt
    Pomander
    Pomatum
    Pomme D'ambre
    Pomona
    Pom-pom Hat
    Porte Bouquet
    Portrait Of Tadea Arias De Enríquez
    Possamenterie
    Posy
    Pouf Hairstyle
    Poulaine
    Poulaines
    Preppy
    Preppy Dress
    Printed Cloths
    Promenade Boots
    Pullovers
    Purple
    Purple Dye
    Queen's Gambit
    Raincoat
    Rational Cosnsumption
    Realgar
    Red
    Red Carpet Event
    Red Dye
    Red Heels
    Redingote
    Red Ochre
    Red Pigments
    Renaissance Rings
    Rene Lalique
    Retro Style
    Riding Coat
    Rings
    Roaring Twenties
    Robe A La Francaise
    Robert Piguet
    Rockabilly Look
    Rococo Fashion
    Rococo Haistyles
    Roger Vivier
    Romano-Egyptian Burials
    Roots Of The Fashion Industry
    Rose Pompadour
    "rose Tablet"
    Roseus
    Rosy
    Royal Purple
    Ruff
    Ruffled Skirts
    Ruffles
    Saffron
    Scallops
    Scarab Rings
    Schweinfurt Green
    Scottish Clan Dress
    Scottish Tartan
    Scull Cap
    Sculptural Style
    Seal Rings
    Sentimental Rings
    Shoe Design
    Shoe Designer
    Shoe Maker
    Shoulder Bag
    Signet Rings
    Silk Cape
    Sillitoe Tartan
    Sir Arthur Evans
    Sisi's Stars
    Sleeve Buttons
    Smoking Cap
    Smoking Jacket
    Snake Goddess Figurines
    Snake Rings
    Sofia Lark
    Solana
    Spanish Farthingale
    Spanish Hoop Skirt
    Spanish Maja Costume
    Sporran
    Stage Costume
    Steeple Head-dress
    Stiletto Heel
    Stockings
    Stomacher
    Striped Cloth
    Striped Cloth Pattern
    Stripes
    Strophium
    Subligaculum
    Sumptuary Laws
    Sustainable Fashion
    Sweater Season
    Swedish Hat
    Symbolism And Meaning Of Tulip
    Symbolism In Art Nouveau Fashion
    Symbolism Of Colors
    Symbolism Of The Color Green
    Talented Company
    Tartan
    Tartan Cloth
    Tartan Pattern
    The Bustle
    The Cardigan Sweater
    The Civic Crown
    The Column Type Dress
    The Delphos Gown
    The Dinner Jacket
    The Egyptian Blue
    The Falkirk Tartan
    The Floral Language
    The History Of Knitting
    The Little Black Dress
    The Merry Widow Hat
    The Mistletoe
    The New Look
    The Origins Of Knitting
    The Pleated Skirt
    The Red Shoes
    The Shoulder Plaid
    Thigh-high Boots
    Thomas Burberry
    Tiger Print
    Tight Lacing
    Timeless Fashion
    Toga Virilis
    Toggle Fastening
    Toggles
    Tontillo
    Top Hat
    Tournure
    Travis Banton
    Treasures Of Helen Of Troy
    Treasures Of King Priam
    Trenchcoat
    Tricorne
    Tricorn Hat
    Trilby Hat
    Trojan War
    Trompe-l'oeil
    Tulip
    Tulipan
    Tulipes Hollandaises
    Tulip Mania
    Turkey Red
    Tussie-mussie
    Tussie-mussies
    Tuxedo
    Tyrian Purple
    Ultramarine
    Ultra-Violet
    Uncertain Regard
    Valentino Red
    Veil
    Veiled
    Veiled Dancer
    Victorian Fashion
    Victorian Rings
    Villa Romana Del Casale
    Vintage Fashion
    Violet
    Visard Mask
    Vita Radziņa
    Vivienne Westwood
    Volto
    Waistcoat
    Walking Boots Of The 19th Century
    Wardrobe Essential
    Wasp Waist
    Watch-ring
    Waterproof Materials
    Wedding Rings
    Wedgwood Jasperware Rings
    Wheel Hoop Skirts
    White
    White Bridal Dress
    White Clothing
    White Collar And Cuffs
    White Dress
    White Tie Dress Code
    Widow's Weeds
    Wilhelm Lucas Von Cranach
    William Henry Perkin
    William Lee
    William Morris
    Woad
    Wooden Clogs
    Wreath
    Xmas Traditions
    Xystis
    Yellow
    Yellow Gold
    Yellow Journalism
    Yellow Nankeen
    Yellow Pigment
    Y-Line
    Yves Saint Laurent
    Zebra Print
     1960s Fashion

    RSS Feed

Picture
Copyright © Edīte Parute and Fashionologia Historiana, 2021
  • Home
  • About
  • Get in Touch
  • Costume History & Fashion Legends [Essays in English]
  • Žurnāls (modes vēsturnieka piezīmes, jaunumi, dažādas tēmas un stāsti. Arhīvs)
  • Kostīmu vēstures leģendas (senāki laiki)